Looking at Danny Birch’s avatar on Facebook, his clenched fist over his chest, it is a reminder of the passion in him and why he opened a tattoo studio by the name of Heart for Art.
A shop with red wallpaper and antique frames and clocks and French chairs.
It is a stylish and inspiring space for both him and his fellow artists, like Ash Higham, and Sam Barber who’s done an impressive tribute to dark fantasy film, “Pan’s Labyrinth,” as shown in the image above.
UK photographer Tim Booth believes the hands tell a more honest story about what a person has been through than faces.In an extensive photographic study, Booth has turned images of people’s hands into an alternative form of portraiture.
“When you look at just the hands, your mind is free from pre-conceptions and is able to imagine the whole life of the person, their completeness, rather than just the aesthetic of a face,” he told the ABC.
He has had the pleasure of working with some of the world’s most well-known people, including England’s former rugby union player Jonny Wilkinson and Pink Floyd drummer Nick Mason.
But Booth is also intrigued by the not as well-known, everyday people with a lifetime of experience in their trade.
People have always been Fritz Liedtke’s favorite subjects.
He was out to dinner several years ago when he was taken with one of his dining companions, a woman with “amazing freckles.”
Liedtke asked if he could take her photograph, which he did under the light of a neon sign in front of the restaurant.
“It was one of the most beautiful photographs I had taken all year,” he says of the moment that launched him on a search for more freckled faces to photograph.
Portrait of a woman with freckles
Liedtke is interested in making beautiful images, and for him, freckles are beautiful.
But, as we all know, beauty is subjective. Look up the word “freckle” in the thesaurus and you will get one or two sweet-sounding words in the list of synonyms, like “beauty mark” and “daisy.”
But the majority are not sweet, such as “flaw,” “blotch,” and “mark.”
Portrait of a little girl with freckles
As Liedtke began talking with and photographing more friends and acquaintances who shared this prominent feature, he wasn’t surprised to discover that many held deep-rooted beliefs about this feature he found so captivating.
One loved her freckles, recalling them being referred to by her parents as “angel kisses.”
Another remembered as a child being asked by her grandmother to wash up for dinner after playing outside, then crying when her grandmother asked her to go wash again, having mistaken her freckles for dirt.
Douglas Mcdougall is a geographer of the human face and psyche.
Charcoal-driven perceived notions bound to phrenological psychoanalytical surrealism is the method in which he records the life into his chosen subjects.
In his most recent series ‘A New God’, Theo (the bearded one) plays the Devil’s advocate out to confront new age society’s ails.
Like the anthropomorphic being Golem (from Jewish folklore), or modern day Frankenstein, he is mobilised, pushed out into the forum to confront the only God in man that can lead us through the ever perpetuating paradigm of life.
Inside and outside of who we are, what we achieve and what we do to one another as a the primary species.
The mark of man’s ‘ego’ has always set the terms, ploughed the patterns of education, construction of life and contradictory deconstruction within the human evolutionary pathways.
Is it not wisdom, imagination and willpower that is the only true God, and everything else is just that; everything else…
You are your new God.
‘by carving into the paper in a particular way, one can feel the power and the magic and the luck. The face is a mirror of the soul – for better or worse. Portraiture is my way of understanding and encapsulating the ongoing museum of human experience, to show who we really are, body and spirit’.
Douglas Mc Dougall learned how to draw as a child to pass the time while going in and out of hospitals with a blood disease. He spent countless hours in hospital wards trying to draw his surroundings, and the experience fueled his passion for art.
In his younger years, the 50-year-old artist used to do a lot of pen and ink illustration work during the night, after coming home from his day job, but eventually settled on charcoal as his medium of choice. He is currently based in Scotland.