The centrepiece is the greatest golfing painting in the world, Charles Lees’ famous 1847 masterpiece The Golfers.
This commemorates a match played on the Old Course at the Royal and Ancient Golf Club, St Andrews, by Sir David Baird and Sir Ralph Anstruther, against Major Hugh Lyon Playfair and John Campbell of Saddell.
It represents a veritable ‘who’s who’ of Scottish golf at that time and was famously reproduced in a fine engraving which sold in great quantities.
Lees (1800-80) made use of photography, at a time when it was in its infancy, to help him design the painting’s overall composition.
The image in question, taken by photography pioneers D O Hill & Robert Adamson, is included in the show and Lees’s preparatory drawings and oil sketches also are displayed alongside the finished painting to offer visitors further insight into the creation of this great work.
Impressions of The Golfers are now in many of the greatest golf clubhouses around the world.
The painting is jointly owned by the National Galleries of Scotland and the Royal and Ancient Golf Club of St Andrews.
Photo: Mick Fanning was “screaming with excitement” in between riding waves. (Supplied: Emil Sollie, Mats Grimsæth, RedBull)
by Anthony Pancia
In terms of ticking things off the bucket list, Mick Fanning may have trumped just about every surfer on the planet with a once-in-a-lifetime surf under a stunning Northern Lights display in Norway.
Fanning — currently on a hiatus from professional surfing — camped out on a beach in the Norwegian archipelago of Lofoten, Norway with local photographers Emil Sollie and Mats Grimsaeth waiting for the conditions to align and, as it turned out, they didn’t have to wait long.
“We’d set out a 10-day waiting period because there were so many elements that had to come together,” Fanning told the ABC.
“Even then it was a bit of a roll of the dice. You need the right waves, clear skies and on top of all that, you actually need the lights to come on.”
The lights came on for the first two nights, however, the waves refused to co-operate.
“But on the third night we got lucky,” Fanning said. The surfer spent the night riding “surprisingly good” waves as the photographers set to work capturing an image they planned for two years.
The House of David was an apocalyptic cult that formed a commune community which focused on clean, hirsute living, celibacy, and most memorably their minor league baseball team.
Founded in the late 1800’s on 1,000 acres of land, the new society farmed and developed a shockingly sophisticated series of services such as their own electricity, cold storage, and cannery.
However the House of David is likely best remembered for its shockingly successful baseball teams.
The community’s founder was a big sports fan and believed that such endeavors were good for both the body and the soul.
Starting in 1913, the commune had started playing competitive baseball and within just a couple of years, the players had fallen into a strict training regimen.
By the 1920’s the House of David players had become a fairly famous “barnstorming” sensation, traveling around and playing exhibition matches. Many of the players caught the attention of the major leagues, but the House of David forbid the cutting of their hair, so the trademark beards that made the team recognizable also made them unfit to move up to the pros.
Despite the bearded ceiling, the teams managed to gain a great deal of notoriety and some teams even took on professional players who would grow a beard or sometimes even wear fake beards in solidarity with their teammate’s religion.
The teams continued to play well into the 1950’s but the House of David commune was beginning to disband and was eventually embroiled in an underage sex scandal which essentially snuffed out any straggling remnants of the sect.
However the baseball teams and their communal heritage are still remembered in the House of David Museum which explores the history of the colony from its illustrious baseball teams to their impressive zoo to their industrial triumphs.
There are amazing moments happening in and around the water on a daily basis, but being there to capture them is sometimes more right-place-right-time than anything.
Sure it still takes skill to capture them, but it’s hard to build a solid portfolio when your ideology is based around fluke imagery.In southern AustraliaI
In early Winter 2015, I set out to capture something unique that would accurately portray the relationship of a bunch of young local surfers with the ocean.
If this doesn’t scream youthful, boldly-ambitious, testosterone-infused recklessness, with hints of appreciation and photographic sensibility thrown in, then I don’t know what does.
The flash double tow was basically an adaption to Laurent Pujol’s original double tow concept, in which a photographer is towed into the wave by a jet ski, behind the surfer, riding a surfboard themselves.
I am proud to present these images and I hope you can appreciate them.
“Working alone and out in remote locations is always time-consuming, and it involves a lot of back and forth to get the shot,” says Paul Zizka of this self-portrait he took in a kayak on Goat Lake in the Canadian Rockies.
“I had been planning on visiting this location for some time, and on this night the conditions were perfect.
The stars danced across the surface of the lake, and it felt like I was gliding through the night sky.
”Shooting a self-portrait at night isn’t without its challenges, Zizka says. Keeping yourself still enough in a kayak so the camera can catch a sharp exposure is particularly daunting.
“I propped the kayak on top of a rock to help stabilize it once I was in the frame. It took a few tries, but eventually I got a frame with sharp focus that I could be happy with.”