There are amazing moments happening in and around the water on a daily basis, but being there to capture them is sometimes more right-place-right-time than anything.
Sure it still takes skill to capture them, but it’s hard to build a solid portfolio when your ideology is based around fluke imagery.In southern AustraliaI
In early Winter 2015, I set out to capture something unique that would accurately portray the relationship of a bunch of young local surfers with the ocean.
If this doesn’t scream youthful, boldly-ambitious, testosterone-infused recklessness, with hints of appreciation and photographic sensibility thrown in, then I don’t know what does.
The flash double tow was basically an adaption to Laurent Pujol’s original double tow concept, in which a photographer is towed into the wave by a jet ski, behind the surfer, riding a surfboard themselves.
I am proud to present these images and I hope you can appreciate them.
The centrepiece is the greatest golfing painting in the world, Charles Lees’ famous 1847 masterpiece The Golfers.
This commemorates a match played on the Old Course at the Royal and Ancient Golf Club, St Andrews, by Sir David Baird and Sir Ralph Anstruther, against Major Hugh Lyon Playfair and John Campbell of Saddell.
It represents a veritable ‘who’s who’ of Scottish golf at that time and was famously reproduced in a fine engraving which sold in great quantities.
Lees (1800-80) made use of photography, at a time when it was in its infancy, to help him design the painting’s overall composition.
The image in question, taken by photography pioneers D O Hill & Robert Adamson, is included in the show and Lees’s preparatory drawings and oil sketches also are displayed alongside the finished painting to offer visitors further insight into the creation of this great work.
Impressions of The Golfers are now in many of the greatest golf clubhouses around the world.
The painting is jointly owned by the National Galleries of Scotland and the Royal and Ancient Golf Club of St Andrews.
Photo: Mick Fanning was “screaming with excitement” in between riding waves. (Supplied: Emil Sollie, Mats Grimsæth, RedBull)
by Anthony Pancia
In terms of ticking things off the bucket list, Mick Fanning may have trumped just about every surfer on the planet with a once-in-a-lifetime surf under a stunning Northern Lights display in Norway.
Fanning — currently on a hiatus from professional surfing — camped out on a beach in the Norwegian archipelago of Lofoten, Norway with local photographers Emil Sollie and Mats Grimsaeth waiting for the conditions to align and, as it turned out, they didn’t have to wait long.
“We’d set out a 10-day waiting period because there were so many elements that had to come together,” Fanning told the ABC.
“Even then it was a bit of a roll of the dice. You need the right waves, clear skies and on top of all that, you actually need the lights to come on.”
The lights came on for the first two nights, however, the waves refused to co-operate.
“But on the third night we got lucky,” Fanning said. The surfer spent the night riding “surprisingly good” waves as the photographers set to work capturing an image they planned for two years.