Neil Young and Graham Nash in New York City in 1970
Photograph: Joel Bernstein
For the first time, the Morrison Hotel Gallery is hosting an exhibition in all three of their locations – Long May You Run, a retrospective of Neil Young, charts his rise from Buffalo Springfield to refusing to settle down in his 70s.
Neil Young in a limo with a Gretch White Falcon in June 1970
Photograph: Joel Bernstein
And sitting on a car in 2016
Photograph: Danny Clinch
See more on Neil Young via Neil Young: an artist through the years – in pictures | Music | The Guardian
In this photo from April of 1948 we see engineer Myron Holbert, who’s showing off the Seeburg Select-O-Matic jukebox.
The machine held a relatively enormous library of music — 200 selections!
And although the jukebox became a symbol of the postwar teen music explosion, it predates the 1950s.
In fact, it was during the 1930s that America saw an incredible rise in the number of jukeboxes filling dance halls and diners.
Source: This Was a Jukebox in 1948
The most commonly sung song for English-speakers on New Year’s eve, “Auld Lang Syne” is an old Scottish song that was first published by the poet Robert Burns in the 1796 edition of the book, Scots Musical Museum.
Burns transcribed it (and made some refinements to the lyrics) after he heard it sung by an old man from the Ayrshire area of Scotland, Burns’s homeland.
It is often remarked that “Auld Lang Syne” is one of the most popular songs that nobody knows the lyrics to. “Auld Lang Syne” literally translates as “old long since” and means “times gone by.”
The song asks whether old friends and times will be forgotten and promises to remember people of the past with fondness, “For auld lang syne, we’ll tak a cup o’ kindness yet.
“The lesser known verses continue this theme, lamenting how friends who once used to “run about the braes,/ And pou’d the gowans fine” (run about the hills and pulled up the daisies) and “paidl’d in the burn/Frae morning sun till dine” (paddled in the stream from morning to dusk) have become divided by time and distance—”seas between us braid hae roar’d” (broad seas have roared between us).
Yet there is always time for old friends to get together—if not in person then in memory—and “tak a right guid-willie waught” (a good-will drink).
But it was bandleader Guy Lombardo, and not Robert Burns, who popularized the song and turned it into a New Year’s tradition. Lombardo first heard “Auld Lang Syne” in his hometown of London, Ontario, where it was sung by Scottish immigrants.
When he and his brothers formed the famous dance band, Guy Lombardo and His Royal Canadians, the song became one of their standards. Lombardo played the song at midnight at a New Year’s eve party at the Roosevelt Hotel in New York City in 1929, and a tradition was born.
Source: New Year’s Traditions
A 1977 publicity photo of the Bee Gees for a television special, “Billboard #1 Music Awards.” From top: Barry, Robin, and Maurice Gibb.
The Bee Gees’ dominance of the charts in the disco era was above and beyond Chic, Giorgio Moroder, even Donna Summer.
Their sound track to Saturday Night Fever sold thirty million copies.
They were responsible for writing and producing eight of 1978’s number ones, something only Lennon and McCartney in 1963/64 could rival—and John and Paul hadn’t been the producers, only the writers.
Even given the task of writing a song called “Grease” (“Grease is the word, it’s got groove, it’s got a meaning,” they claimed, hoping no one would ask, “Come again?”), they came up with a classic.
At one point in March they were behind five singles in the American Top 10.
In 1978 they accounted for 2 percent of the entire record industry’s profits. The Bee Gees were a cultural phenomenon.
Three siblings from an isolated, slightly sinister island off the coast of northwest England, already in their late twenties by the time the Fever struck—how the hell did they manage this?
Pin ups in the late sixties, makers of the occasional keening ballad hit in the early seventies, the Bee Gees had no real contact with the zeitgeist until, inexplicably, they had hits like “Nights on Broadway,” “Stayin’ Alive,” “Night Fever,” and the zeitgeist suddenly seemed to emanate from them.
This happened because they were blending white soul, R&B, and dance music in a way that suited pretty much every club, every radio station, every American citizen in 1978.
They melded black and white influences into a more satisfying whole than anyone since Elvis.
Simply, they were defining pop culture in 1978.
Read further via Islands in the Stream.
Private James Hendrix of the 101st Airborne, playing guitar at Fort Campbell Kentucky in 1962.
Image: Earliest known photo of a very young Elvis Presley, with parents Gladys and Vernon in 1938:
Source: Design you Trust