Inspired in part by the classic horror literature of H.P. Lovecraft, artist Jim Kazanjian (previously) assembles foreboding buildings using snippets of photographs found in the Library of Congress archives.
Equal parts secret lair, insane asylum, and the work of a deranged architect, Kazanjian’s collages are created from 50-70 separate photographs taken over the last century.
Each piece takes nearly three months to complete as he painstakingly searches for just the right elements, a process he likens to “solving a puzzle, except in reverse.” From his artist statement:
I’ve chosen photography as a medium because of the cultural misunderstanding that it has a sort of built-in objectivity. This allows me to set up a visual tension within the work, to make it resonate and lure the viewer further inside.
My current series is inspired by the classic horror literature of H.P. Lovecraft, Algernon Blackwood and similar authors.
I am intrigued with the narrative archetypes these writers utilize to transform the commonplace into something sinister and foreboding. In my work, I prefer to use these devices as a means to generate entry points for the viewer. I’m interested in occupying a space where the mundane intersects the strange, and the familiar becomes alien.
In a sense, I am attempting to render the sublime.
You can see much more of Kazanjian’s work on his website, and at Jennifer Kostuik Gallery in Vancouver later this year. (via Colossal Submissions)
Keith Bellows, Editor in Chief, National Geographic Travel
When I was growing up, Quebec City was something of an also-ran compared to Montreal, its brasher, more idiosyncratic sibling and my hometown. My family would often drive the 150 miles up the St. Lawrence River to Quebec City, and as a kid I recall coming away a little underwhelmed. It seemed so dutiful and reserved next to the “sin city,” as Montreal was known. Sure, Quebec City could lay claim to a marginally more storied history—symbolized by the star-shaped Citadelle and the once bloody Plains of Abraham, where the British and French clashed over control of what would become Canada. But next to Montreal it lacked panache.
Notre-Dame de Quebec – Photograph by Susan Seubert
No more. These days the cities have reached a comfortable détente over which has the most to offer. They are simply different. Quebec City’s warren of cobblestone streets, hulking Fairmont Le Château Frontenac, and Upper and Lower Towns are backdrop to its francophone fashion shops, chansons echoing off centuries-old cut-stone buildings, and air heavy with thick Québécois accents—a combination that’s unique in all North America. The food has gone from pedestrian to a superbly traditional force of gustatory nature (many dishes draw on local ingredients).
Raclette – Photograph by Susan Seubert
When it turned 400 years old in 2008, Quebec City also seemed to turn a corner. Now it is a truly modern city with old bones. My advice: Learn a little French, try it out on the residents, and you’ll enter a world where the locals will help you unlock the keys to street-level Old France.