This picture, taken at Zimanga game reserve in KwaZulu-Natal, South Africa, using an in-camera multiple exposure, with the first lit for the buffaloes and the second focused on the stars with a spectacular result.
It was midday, and Peter had arrived at a waterhole in the Kgalagadi Transfrontier Park, South Africa. Scores of white-backed and lappet-faced vultures covered an eland carcass, squabbling over the meat. ‘Two things hit me simultaneously,’ says Peter. ‘The vile stench of rotting flesh and the intense buzz of flies.’
The white-backed vultures were surprisingly violent as they vied for the best feeding positions. This particular individual had backed off from a fight but was about to re-enter the fray. Covered in dust, wings spread, head lowered, it reminded Peter of a gladiator in his chariot, lining up for a charge.
Its picture is a portrayal of the true character of this feisty bird.
According to historical accounts of the First Franco-Dahomean War, in the 1890s it was the highly trained military women who were chopping off the heads of the French.
Sometimes while they slept.
French Street Artist YZ Yseult has begun her own campaign to pay tribute to the fierce female fighters of the 19th Century West African country of Dahomey, who are more commonly referred to as Amazons.
A startling narrative of female power not often heard today for some, but as YZ is researching her own history as a descendent from slaves, her portraits reflect a personal impetus to tell these stories with a new force.
She has named this series of strong warriors on the street “Amazone”.