Silverback Gorilla numbers growing in Republic of Congo.

A silverback gorilla in the Republic of Congo’s Nouabalé-Ndoki national park.
Researchers now estimate that there are more than 360,000 western lowland gorillas in the wild, approximately one-third higher than earlier figures.
Image credit: Photograph by Zanne Labuschagne/WCS
Source: The week in wildlife – in pictures | Environment | The Guardian

The Message by Ali Rafei, Lebanon.

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by Chirine Lahoud
The arteries of Lebanon are filled with graffiti and street art. Before it earned the respect and international recognition conferred by the art market, this art form was – and in many circles still is – considered to be vandalism.
Street art, in the words of Lebanese street artist Ali Rafei, “invaded private and public property.”
Like Yazan, Phat2, Zepha or Ashekman, Rafei is a recognized member of the country’s street art scene. Most of his work can be seen in the Ras Beirut neighborhood, and in the northern city of Tripoli.
He first began leaving his mark on urban fabric in 2010. Then in 2012 Rafei decided to enroll in the University of Leeds’s MA program in advertising.
He performed many maneuvers to stay in the U.K. but that didn’t work out. He’s been back in Lebanon since the beginning of the year.
Rafei’s street art veers from freehand portraiture to Arabic calligraphy to stencil work.
His most-recent stencil art can be seen off Hamra, on Abdel Aziz Street.
It portrays a man in a suit holding a balloon on which is written “Ana” (“Me” in Arabic). Next to the adult a child is straining to pop his balloon.
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As Rafei explained, this work is a reflection on egoism. “I did it in a risky place,” he said.
“There is a message and I wanted it to be exposed. I didn’t want it to be hidden.”
This piece captured the attention of a nearby security guard, who kept asking Rafei and his friend what the point of the gesture was and why they were doing it.
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via Ali Rafei’s message and street aesthetic | Arts & Ent , Culture  THE DAILY STAR.

Hyena under a Starry Night.

Natural world category, winner:
Image Credit: Photograph by Will Burrard-Lucas
‘To show hyenas in their element, I wanted to photograph them at night,’ Burrard-Lucas says.
‘The stars in Africa are so beautiful that I also wanted to include them in my image.
I used a remote-control “BeetleCam” to position my camera on the ground so I could photograph the hyena with the beautiful starry sky behind.
This is a single exposure.
I lit the hyena with two wireless off-camera flashes and used a long shutter speed to expose the stars’
Source: The winners of the Sony world photography awards 2017 – in pictures | Art and design | The Guardian

Among The Clouds, Abu Dhabi.

Image Credit: Photograph by Khalid Al Hammadi
The Sheikh Zayed Grand Mosque in the United Arab Emirates conjures up memories of Fairy tale stories such as Sinbad the Sailor and Aladdin.
That was the first impression that came to my mind when I was there taking this photo, the view was incredible, a perfect structure with an amazing huge wave of fog surrounding it.
I wish that all of you were there with me, standing together, and enjoying this beautiful view, one where nature embraces architecture.
Source: Among The Clouds Photo by Khalid Al Hammadi — National Geographic Your Shot

Elephants + Mud, Kenya.

A-Kenyan-elephant-orphana-001A newcomer like me gets knocked down a lot’ … Michael Nichols’ photograph of orphaned elephants in Kenya. Click here to see full image. Photograph: National Geographic Creative/Corbis
Interview by Kate Abbott
These baby elephants have all lost their mothers. They were either killed by ivory poachers, or they fell in wells while trying to get water. The babies are at an orphanage in Nairobi.
When a new one comes in, it’s utterly traumatised: only one in 10 survives.
The most bizarre thing about these orphans is that the older ones take care of the new arrivals. The elephants lying down are just two years old, but they’ve become matriarchs – 20 years too soon.
The one with its foot up is nine months old. His elders are lying there saying: “Hey, you can get on us!” This is exactly how they play in the wild. Being sociable and protective is something elephants do naturally. It tears your heart out.
There are about 50 elephants at the orphanage, run by the Sheldrick Wildlife Trust, and they have qualified keepers, men from local villages.
It’s one of the most dangerous professions on Earth, yet the Sheldrick keepers never strike the animals – unlike in zoos where control is done by force, with electric shocks, sharp objects or water deprivation.
The keepers rarely let strangers in because it’s a pain in the ass protecting them. A newcomer like me gets knocked down a lot. I wanted the animals to quit paying attention to me, so I could focus on my photographs instead of just trying to stay upright.
By the time I took this, I’d been there three weeks, and the elephants knew me.
via Michael Nichols’ best photograph: orphan elephants frolicking in the mud | Art and design | The Guardian.