The Beauty of Lavinia Fontana, Italy.

640px-Self-portrait_at_the_Clavichord_with_a_Servant_by_Lavinia_Fontana

Self-Portrait at the Clavichord with a Servant, c. 1577, Oil on canvas.
Lavinia Fontana was born in Bologna on August 24, 1552, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Continuing the family business was typical at the time.
Her earliest known work, ” Monkey Child”, was painted in 1575 at the age of 23. Though this work is now lost, another early painting, Christ with the Symbols of the Passion, painted in 1576 is now in the Cornell Fine Arts Museum. She would go on to paint in a variety of genres.
Early in her career, she was most famous for painting upper-class residents of her native Bologna.
She began her commercial practice by painting small devotional paintings on copper, which had popular appeal as papal and diplomatic gifts, given the value and lustre of the metal.
In addition to portraits (the typical subject matter for women painters), she later created large scale paintings with religious and mythological themes which sometimes included female nudes.
Fontana married Paolo Zappi (alternately spelled Paolo Fappi) in 1577. She gave birth to 11 children, though only 3 outlived her.
After marriage, Fontana continued to paint to support her family. Zappi took care of the household and served as painting assistant to his wife, including painting minor elements of paintings like draperies.
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 Lavinia Fontana, Minerva Dressing, 1613, Oil on canvas, Galleria Borghese, Rome.
Fontana and her family moved to Rome in 1603 at the invitation of Pope Clement VIII.
She gained the patronage of the Buoncompagni, of which Pope Gregory XIII was a member.
Lavinia thrived in Rome as she had in Bologna and Pope Paul V himself was among her sitters.
She was the recipient of numerous honors, including a bronze portrait medallion cast in 1611 by sculptor and architect Felice Antonio Casoni.
Some of her portraits, often lavishly paid for, have been wrongly attributed to Guido Reni.
Chief among these are Venus; The Virgin lifting a veil from the sleeping infant Christ; and the Queen of Sheba visiting Solomon.
Her self-portrait – in youth she was said to have been very beautiful – was perhaps her masterpiece; it belongs to Count Zappi of Imola, the family into which Lavinia married.
While her youthful style was much like her father’s, she gradually adopted the Carracciesque style, with strong quasi-Venetian coloring.
She was elected into the Accademia di San Luca of Rome, and died in that city on August 11, 1614.
via Lavinia Fontana – Wikipedia

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