Looking at Danny Birch’s avatar on Facebook, his clenched fist over his chest, it is a reminder of the passion in him and why he opened a tattoo studio by the name of Heart for Art.
A shop with red wallpaper and antique frames and clocks and French chairs.
It is a stylish and inspiring space for both him and his fellow artists, like Ash Higham, and Sam Barber who’s done an impressive tribute to dark fantasy film, “Pan’s Labyrinth,” as shown in the image above.
A Solid Gold toilet is to be installed at Blenheim Palace Oxfordshire.
Visitors will be able to spend an 18-carat gold penny when Maurizio Cattelan’s gold-toilet artwork is set to be installed at Blenheim Palace, Oxfordshire, this autumn and people will be able to use it.Photograph: Jacopo Zotti (Guggenheim Museum 2016)
The 18-carat gold artwork, by Maurizio Cattelan, made headlines in the US after the Guggenheim offered it to Donald Trump instead of the Van Gogh painting he requested.
It will be plumbed into a bathroom at Blenheim Palace in Oxfordshire, near the room in which Winston Churchill was born.
Visitors will be able to admire and use the toilet, an experience that will be new even to the Marlborough family who have enjoyed lives of luxury at Blenheim for more than 300 years.
“Despite being born with a silver spoon in my mouth I have never had a s.h.i.t on a golden toilet, so I look forward to it,” said Edward Spencer-Churchill, the current Duke of Marlborough’s half-brother and founder of the Blenheim Art Foundation.
“It will be an installed, working, usable toilet.”There will be enhanced security, Spencer-Churchill said, but whether there will be a queuing system or booked slots has yet to be decided.
And there is the question of how long people can stay in the toilet. “I’m not sure I can answer that question yet,” he added. “We’d like people to enjoy their time in there without giving them too much time, if that makes sense.”
Douglas Mcdougall is a geographer of the human face and psyche.
Charcoal-driven perceived notions bound to phrenological psychoanalytical surrealism is the method in which he records the life into his chosen subjects.
In his most recent series ‘A New God’, Theo (the bearded one) plays the Devil’s advocate out to confront new age society’s ails.
Like the anthropomorphic being Golem (from Jewish folklore), or modern day Frankenstein, he is mobilised, pushed out into the forum to confront the only God in man that can lead us through the ever perpetuating paradigm of life.
Inside and outside of who we are, what we achieve and what we do to one another as a the primary species.
The mark of man’s ‘ego’ has always set the terms, ploughed the patterns of education, construction of life and contradictory deconstruction within the human evolutionary pathways.
Is it not wisdom, imagination and willpower that is the only true God, and everything else is just that; everything else…
You are your new God.
‘by carving into the paper in a particular way, one can feel the power and the magic and the luck. The face is a mirror of the soul – for better or worse. Portraiture is my way of understanding and encapsulating the ongoing museum of human experience, to show who we really are, body and spirit’.
Douglas Mc Dougall learned how to draw as a child to pass the time while going in and out of hospitals with a blood disease. He spent countless hours in hospital wards trying to draw his surroundings, and the experience fueled his passion for art.
In his younger years, the 50-year-old artist used to do a lot of pen and ink illustration work during the night, after coming home from his day job, but eventually settled on charcoal as his medium of choice. He is currently based in Scotland.
Wound Man image from Claudius (Pseudo) Galen’s Anathomia – Source: Wellcome Library, London.
This figure, from a 15th century English anatomical manuscript, is an example of a ‘wound man’.
Figures like these can be found in a number of manuscripts and printed books produced in the 15th and 16th centuries.
This particular version is folio 53 verso from Anathomia by Claudius (Pseudo) Galen. It is captioned in Latin and the words do not provide any directions for treatment but merely describe the injury: for example, ‘penetration by a sword’ or ‘an arrow whose point has remained in the thigh’.
The weapons are shown as they pierce the body and here, the positions of the man’s internal organs are indicated.
The exact purpose of the wound man image is not known, but it might have served as a reminder of the injuries to which the human body is prone.
These typically range from blows to the head, to stab wounds and arrow piercings, sometimes even showing dogs or snakes biting the legs.