Cigar Box Labels.

Elaborate Vintage Cigar Box Labels: A Plethora of Themes and Visual Curiosities
wefqwfqwfqwfThe collecting of cigar boxes is, like the collecting of stamps and coins, a specialized field of interest.
Peculiar Postage, which previously appeared here on Dark Roasted Blend, was not intended as a detailed study of stamps, merely a look at some of the more curious examples.
Similarly, the following article examines just a small selection of some of the most striking cigar box artwork from years gone by.image18
(Images in this article, unless otherwise noted, are courtesy Cigar Box Labels; used by permission)
Originally, cigars were sold to customers in bundles covered with pigs’ bladders, if you can believe it…
This hardly seems guaranteed to drive sales, but you’ll be relieved to know that vanilla was used to make this pork packaging smell a little sweeter. Large chests that could hold around 1,000 stogies were next introduced, but by the 1830s, cigars were being packaged in sealed cedar boxes.
image12Cedar apparently stops the cigars from drying out and matures the tobacco as well, but either way it sounds like a distinct improvement on the bacon bladders.
Between 1800 and 1960, wood was used to create around 80% of cigar boxes. The most common variety, called “nailed wood”, comprises six pieces of wood nailed together and holds 50 cigars.
via Dark Roasted Blend: The Golden Age of Cigar Box Art.

Rooftops in Havana.

01_C_06_Travel_lo.jpg.1072x0_q85_upscaleRooftops in Havana
Susan Pyburn had just settled into her 14th-floor hotel room when she looked down at an “old street slicing through the city, fat pillars of buildings in deep disrepair…”
I now see that the juxtaposition of rooftops sets up an intriguing study of present-day life in Havana.
Image Credit: photography by Susan Pyburn
via Rooftops in Havana | Smithsonian Photo Contest | Smithsonian.

Woman & Child in Havana at Dusk.

Havana at dusk by Alice Hawkins.
Cuba is a fairytale place. I like that you can just stay in people’s houses or wander into someone’s home and eat with a family.
My last trip there was for a fashion shoot with Love magazine in 2012. We had so many clothes that the stylist had to stay over the road from me with this glamorous single mum called Lily and her son Richard.
We put her in a Versace outfit and she just owned it.
She knew exactly what she was doing. My work is influenced by 18th-century portraiture, which is why they are both posing in a formal manner.
This was taken just around the corner from Lily’s house. I had seen an art deco building that looked beautiful – all we had to do was wait for the sun to go down.
Although it is not a shot of a sunset, you can sense that’s what’s happening from the way the buildings are all lit up in different colours.
Source: My best summer photograph: sand, scorpions and sausage sarnies | Art and design | The Guardian