Crewdson’s Cinematic Photos.

71d3ec714f6a9693d5b10052669d4cea0e858ca9_660Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch.
Crewdson’s method is equally filmic, building elaborate sets to take pictures of extraordinary detail and narrative portent.
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Recent works include Twilight and Beneath the Roses, everyday scenes with charged, surreal moods that hint at the longings and malaise of suburban America. These pictures are like incomplete sentences, with little reference to prior events or what may follow.
The artist has referred the ‘limitations of a photograph in terms of narrative capacity to have an image that is frozen in time, (where) there’s no before or after’ and has turned that restriction into a unique strength.
‘Sanctuary’, his most recent series, was shot amid the grounds of the legendary Cinecittà studios, outside Rome.
Abandoned by the actors and crews that brought the sets to life, Crewdson decided to make the film sets themselves the subject of the photographs.
Despite this change of direction, the artist’s vision persists: “As with much of my work, I looked at the blurred lines between reality and fiction, nature and artifice, and beauty and decay.
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Gregory Crewdson was born in 1962 in New York, where he continues to live and work. He has exhibited across the world.
Discover more about his fascinating work here.
via Gregory Crewdson’s cinematic and thought-provoking photography | Creative Boom.

2 thoughts on “Crewdson’s Cinematic Photos.

  1. I have stared for days, Mesmerized at the man standing in the rain outside his car. I have it as my desktop art. My mind spins with questions about him. What has happened? Is it despair or final decisions he’s making? Is he defeated? Has been fired? Did he commit a crime? What about his clothes, the briefcase, the old Buick? The Rug Doctor sign? What is the significance of the End School Zone sign? First, it is a masterpiece of provocative art. Second, it reaches places inside my psyche that I never new existed. This is a relentlessly brilliant work.

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    • Yes, it certainly sends you off wondering just what he is contemplating, standing in the rain, lonely, car door open and I don’t want an answer, it would spoil it.
      Rod
      PS Thanks for your wonderful comment.

      Like

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