Visual artist Barbara Nati attempts to analyse the chaos reigning underneath the surface of reality combining conceptually interesting visual landscapes that blur fantasy and reality.
In her new photographic series entitled ‘The House of This Evening, All Mine’, stunning post-apocalyptic ‘tree houses’ made of shattered buildings tower in desolated and beautiful landscapes.
Her digital manipulation work can be described as surreal, futuristic, imaginative, dreamy, playful and a little dark – all be it in a good way – yet still confronting the viewer with current social and environmental issues.
A recurrent obsession for ordinary objects allegorically camouflaged as other shapes implicitly invites the viewer to look again and never take for granted, offering the opposite point of view from the expected or predicted one and pulverizing the naïve trust in what we consider real but may not be.
History, visual art and advertising flair mix up in her cross-contaminated and very own stylistic approach where art ultimately fulfills its goal becoming a playful tool, speaking in a versatile and universal alphabet.
Barbara Nati lives and works in London. She trained at the Parson School of Design in NYC and the IEAO in Perugia, Italy.
She has exhibited her work in Italy, Ireland and the UK.
Previous projects include No Farewell Only Endless Goodbye, Futuristic Revivals and The Footsteps of Silence.